All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. ’ ‘Marry you!’ He shot off the desk, such horror in his face that Melusine felt a little irritated. Mutual concessions!—and then to turn it around so that it suggested that an act of kindness might be interpreted as moral obloquy! Walls; queer, invisible walls that receded whenever she reached out, but that still remained between her and what she sought.
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