But in between these wider phases of comparative confidence were gaps of disconcerting doubt, when the universe was presented as making sinister and threatening faces at her, defying her to defy, preparing a humiliating and shameful overthrow. It is not for myself I fear. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen.
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