It begins with that queer piccolo solo. "Gracious Heaven!—is she the inmate of a mad-house?" "She is, Sir," answered the woollen-draper, sadly, "driven there by her son's misconduct. The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view. "Do you think I'd take the trouble to announce him? These are persons of consequence, I tell you.
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