She turned into the study, sat down at the table and fingered the pencils, curiously stirred. "What's that to you?" demanded Jonathan, gruffly. Dim possibilities that she would not seem to look at even to herself gesticulated in the twilight background of her mind. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. .
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