Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and “art” brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. There, hanging among Ann Veronica’s more normal clothing, was a skimpy dress of red canvas, trimmed with cheap and tawdry braid, and short—it could hardly reach below the knee. I can't concentrate on my work. ‘Certainly this is true,’ she managed. Gianfrancesco’s had curved differently and was darker.
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